Performing Arts Festival 2018 / Introducing: Kasia Wolińska "DANCE, PILGRIM, DANCE"
Picture: Patmic
Performing Arts Festival 2018 / Introducing: Romuald Krężel & Monica Duncan "Micro Theatre: 'La dolce vita'"
Picture: Patmic
Logo of the Hebbel am Ufer


Kasia Wolińska - DANCE, PILGRIM, DANCE / Romuald Krężel & Monica Duncan - Micro Theatre: “La dolce vita”

Part of "Performing Arts Festival Berlin 2018"

Dance, Pilgrim Dance (Kasia Wolinska / Art Stations Foundation)
Dance for socialism! Even if the parquet probably doesn’t leave our comrades much room for free expression. Kasia Wolinska wants to know about this and reminds us of an historic encounter: Isadora Duncan and the USSR – The Revolutionary. On the basis of her reconstruction of three pieces of choreography by the U.S. dance icon, history becomes more contemporary than ever before.

MICRO THEATER: "La dolce vita" (Romuald Krężel & Monica Duncan)
This piece cuts things down: 16 minutes, 4 spotlights, 2 microphones, 1 projector and 1 prop. Romuald Krezel and Monica Duncan find their liberation in this and open a space that seeks to contemplate the economy of art. Less is more vs. la dolce vita. How everything fits into a small suitcase forms the central question of this action and is the great attraction at the same time.

Current Performances
Wed 06.06.2018, 18:00 / HAU1
Concept / Choreography
Kasia Wolinska ( with part of original Isadora Duncan’s choreography)
Visuals/ video sculpture
Ashiq Khondker
Remix by Kasia Wolinska & Ashiq Khondker
Artistic Mentor
Guy Cools
Lukasz Kedzierski
Art Station Foundation
Cast Micro Theatre: “La dolce vita”:
Concept and performance
Romuald Krężel, Monica Duncan
Romuald Krężel
Monica Duncan
Excerpt of the music theme "La dolce vita" by Nino Rota from Federico Fellini's movie
The Performing Arts Festival Berlin 2018 is organized by LAFT – Landesverband freie darstellende Künste Berlin e.V. in cooperation with the venues HAU Hebbel am Ufer, Ballhaus Ost, Sophiensæle and Theaterdiscounter and is funded by the Senate Department for Culture and Europe and the European Regional Development Fund (EFRE) through the program “Stärkung des Innovationspotentials in der Kultur II (INP II)”.