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Die Weisheit von Liebe und Tod des Cornets Christoph Rilke by Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Herman Sorgeloos
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke by Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Herman Sorgeloos
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke by Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Herman Sorgeloos
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke by Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Herman Sorgeloos
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke by Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Anne Van Aerschot
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke von Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Anne Van Aerschot
Die Weisheit von Liebe und Tod des Cornets Christoph Rilke von Anne Teresa De Keersmaeker, Michaël Pomero & Chyssi Dimitriou / Rosas
Picture: Herman Sorgeloos
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Logo of the Hebbel am Ufer

Anne Teresa De Keersmaeker, Michaël Pomero & Chryssi Dimitriou / Rosas

Die Weise von Liebe und Tod des Cornets Christoph Rilke

For the Belgian choreographer and dancer Anne Teresa De Keersmaeker, Rilke’s Cornet is an old love. Its musicality forms a starting point for her ongoing research into the counterpoint between dance and text, movement and speech: “I want to explore the intermediary space that Rilke’s text opens, the subtle nuances between breathing, speaking and singing, between the male and the female, the lyrical and the prosaic.” How does movement result out of breathe, noise, speech, and chant? In light of the words, De Keersmaeker has flutist Chryssi Dimitriou hiss, spit and snort Salvatore Sciarrino's music into her instrument, and she herself, along with dancer Michaël Pomero, takes care of the dance between the lines – highly sensual and yet precise, strict and clear. 
Performances
Wed 08.03.2017, 19:00 / HAU1
Thu 09.03.2017, 19:00 / HAU1
Fri 10.03.2017, 19:00 / HAU1
Sat 11.03.2017, 19:00 / HAU1
Sun 12.03.2017, 17:00 / HAU1
German with English surtitles
approx. 60-70 minutes
Created with and performed by
Anne Teresa De Keersmaeker / Rosas, Michaël Pomero, Chryssi Dimitriou
Text
Rainer Maria Rilke
Music
Opera per flauto, Salvatore Sciarrino
Lighting design
Luc Schaltin
Costumes
Anne-Catherine Kunz
Graphic Design
Casier/Fieuws
Artistic assistant
Femke Gyselinck
Dramaturgy
Vasco Boenisch
German language coach
Roswitha Dierck
Artistic advisor scenography
Michel François
Sound
Alban Moraud
Production: Rosas
Coproduction: De Munt / La Monnaie (Brussels), Ruhrtriennale, Concertgebouw Brugge, Théâtre de Gennevilliers with Festival d'Automn (Paris),  Sadler’s Wells (London), Les Théâtres de la Ville de Luxembourg